Tag Archives: Writing

What A Character! How to Succeed as a Writer of Stories

October 18, 2023StorytellingCreating Characters, Writing, Writing Fiction, Writing MemoirAlice Orr

What A Character! Publishing success for the Storyteller – especially the Commercial Fiction or Memoir Storyteller – is all about the characters you create. Which includes the character that is You in your memoir. Storytelling success is all about how much you can make your readers care – deep in their beating hearts – about these characters you create.

Are You Working on a Novel Now? If so – do you have a single main character? A specific character who is your hero? Most successful stories have one main character hero who gives your story focus. Agent-Editor-Reader interest is best captured by a single strong hero. By hero I mean a character who is gender variable – male or female or nonbinary or whatever.

Are You Working on a Memoir Now? There are many reasons to tell your real-life story. First among those reasons is to introduce us to your Hero. You are the Hero of your memoir. You are the center of your story which definitely deserves to be told well.

Have You Named your Hero? Name your main character up front – at the beginning of your story’s creation. Naming gives your character substance and makes her more real for you. If you have not yet named your character – do so as immediately as you can. A strong hero requires a name. The strong hero of your memoir is a character named “I.”

Why is a Strong Hero So Important? Because of what happens when we read about a strong hero’s joys. Because of what happens when we see her hopes and dreams and determination in action. Because of what happens when we witness her admirable qualities in practice.

We Understand that She will have Something Important to Lose in this Story. We do not want her to lose this important thing. Why? Because her strong portrayal leads us to identify with her. We are tied to her – as one human to another. In her strength we see the strength we strive to possess in ourselves.

Identifying with Your Strong Hero Makes Us Care about Her. Specifically – we care about what happens to her. Why? Because she is who we hope to be. She is who we are on our very best days. Her fate could be our fate if we lived her story. And – What a Story! that is.

Why is this Caring So Important? Because when we care about your character and what she wants – we have become emotionally involved in your story. We have an emotional stake in what happens in your story. Especially in what happens to your main character – your hero. In your memoir we must care about your hero named “I.”

Our Caring – Our Emotional Involvement – has Hooked Us into Your Story. Making your reader care is the most powerful story hook you could ever create. And the more we care – the more solidly your story hook is set in us.

Your Job as Storyteller is to Create a Character We Care About. A character we care about not just a little but a lot. A character we care about Intensely. That is the first and most important step you must take if your goal is to write the most Intense and Dramatic and Powerful story you have in you. And what better goal could a storyteller possibly have?

My Job is to Guide you toward that Electrifying Story. Which is why I will follow this post with many more about this very topic. Why? Because I believe there is nothing more crucial to your writing success than having readers say about your hero – and each of her companions – What a Character!

Alice Orr Says – You Possess Storytelling Magic. Keep on Writing Whatever May Occur. https://www.aliceorrbooks.com

Ask Alice Your Crucial Questions. What are you most eager to know about discovering the strongest story characters you have in you? Ask your question in the Comments section at the end of this post.

Alice Orr has published 14 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves. Her novel – A Year of Summer Shadows – Riverton Road Romantic Suspense Series Book 2 – is available HERE.

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Praise for A Year of Summer Shadows: “Alice keeps you wanting to read faster, then when you finish the last page, you want more.” “Orr’s characters come alive on the page.” “A Year of Summer Shadows has moved up to one of my favorite books.”

All of Alice’s Books are HERE.

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Story Characters We Have Seen Too Often

September 28, 2022Storytellingam Writing, Creating Characters, Writing, Writing TipAlice Orr

Story Characters We Have Seen Too Often. I once made a wish that I would never be bored. When life turns chaotic, I sometimes think better of that wish. But, most of the time, boredom is something very few of us enjoy. Especially not your readers. Especially not boredom with your story characters.

A Character who is More a Type than a Person can Put Your Reader to Sleep. We have read him too many times. Her behavior is too easily predictable. They are monotonous to the max. Imagine how true that is for an editor or agent, confronting submission after submission, brain deadened by hackneyed characters at every turn.

The Spark of Your Story is Snuffed Out by such Functionaries. A cliché does even worse. The crusty, but benign older gentleman. The doddering, but foxy grand dame. The good-hearted prostitute. The down-at-the-heels detective with a bitter edge. Feel free to add more dullards to the list.

These are Types, Known Mainly for a Pair of Characteristics. They inevitably behave according to this two-dimensional signature. They possess limited life and no real emotional depth. Any appendage that comes with them, a bothersome pet or broken-down car or endless peeve, is a functionary also, adding nothing of substance to the forward movement of your story.

The Usual Purpose of these Characters is to Impact the Hero in Some Limited Way. Beyond that, they have no meaningful significance. This limited role does not justify their presence, if you mean your story to have substance. The last thing you want to create is a narrative populated by stick figures who essentially have no real clue why they are there. Worse still, your reader has no clue either.

Your Purpose is to Give Each Character, however Minor, a Soul. He lives in your reader’s consciousness beyond his few scenes in your story. You may portray only brief moments of her life, but they are real moments. He is not on of those Story Characters We Have Seen Too Often. She enriches your story and deepens the complications surrounding your hero.

As the Storyteller, You must Know Each Character Well. Even the minor character. You must feel her as a living, breathing being. Then, borrow a slice of that breathing life to insert into your story. Do so at a juncture where this character encounters the conflicted circumstances of your hero and affects those circumstances in an important way.

Here are a Couple of Characters who Accomplish None of That. First, meet Lucy the airhead. Worse than out-of-date in today’s take-charge woman world, she is constructed of cardboard. She is too often overly sexy in a wide-eyed, ingenuous way. She blunders into catastrophe and stays there until she is rescued, usually by a man. Like I said, out-of-date.

Another Character in Need of Update is Cal the Commitmentphobe. We have definitely seen too much of this guy, especially in romance and women’s fiction. His character signature is that he refuses to get into a meaningful relationship, no matter what. He has been burned in the past, blah, blah, blah. He loves his freedom, blah, blah, blah. Cal is a cliché.

I Suspect You Know What is Lacking in these Characters. And also lacking in others like them. Their behavior has no depth. Their motivations are commonplace and shallow. They are familiar because we have unfortunately encountered them before in way too many stories. Once again, feel free to add your own cliche examples to the list.

Police Your Work for their Possible Presence. Choose to improve these story slackers or eject them. For example, with some re-thinking, Cal could become a three-dimensional man. Lucy, however, may be beyond reclamation. Let her rest in peace on the rejection pile. Make certain your story isn’t languishing, by way of boredom, beside her, among Story Characters We Have Seen Too Often.

Alice Orr – https://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask your question in the Comments section at the end of this post.

Alice has published 16 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves. Her novel – A Wrong Way Home – Riverton Road Romantic Suspense Series Book 1 – is a free gift for you HERE.

Praise for A Wrong Way Home: “The story twists and turns masterfully into danger and romance.” “I highly recommend this page-turner which is romance and suspense at its best.” “The writing is exquisite.”

Look for all of Alice’s books HERE.

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How to Write First Class Secondary Characters

May 25, 2022Writing TipsCreating Characters, Storytelling, WritingAlice Orr

How to Write First Class Secondary Characters. The Hero of Your Story Lives in a Larger World Beyond Herself. She lives in a fictional world you have created. A world populated by other people usually referred to as secondary characters. I suggest you also think of them as supporting characters because they support your main character and her story.

Your Hero Drives Your Story. But, no matter how substantial and fully realized she may be, if her supporting cast is weak, your story will be weakened too. Your story structure will be in danger of toppling — off your reader’s bedside table into oblivion. As Mike Nichols said of all characters. You must give your secondaries their own beating heart humanity.

Create a Full Cast of Individuals who Come to Life on the Page. Functionaries won’t do, characters who walk on stage, perform a task or two, then disappear forever. If someone makes an appearance for any reason, however mundane, they must appear again in some meaningful way. They add to the emotional truth of your story. They are not just furniture.

Some Supporters Appear Often and Prominently, Others Less So. But they all perform actions that drive the story forward or amplify your hero’s role. They may not be as fleshed out as your hero, but you, the author, still must know and imagine them to be flesh and blood individuals, complete with compelling and memorable details. Click here to learn about this detail.

Your Hero’s Support Character may be a Lover, Enemy, Friend, Whomever. He or she may lessen story tension by making us laugh now and then or enhance that tension by introducing an obstacle to your hero’s goal. Whatever the secondary character’s purpose, they must be carefully written to have an impact and engage your reader.

The Most Readily Effective Cast is Headed by a Trio. The hero, her mate or sidekick, and the villain. The hero leads the story; the other two support the story. They are the foundation upon which the story is built. They keep your story moving. You must explore two critical questions for each. What must they do in this story situation? Where do they belong – on which side of the story conflict?

These Questions Relate Especially to the Motivation of a Mate or Sidekick. How this character responds. Why they respond. These are the essentials of their story role. Dig deep to find the best motivation ideas for this character. Determine what their resulting actions will be, and you have discovered how they will enlighten your story situation.

The Arc of the Sidekick’s Development Illuminates the Path they will Take. Make detailed notes on how they do or do not resolve the two crucial questions mentioned above. Whatever their path, these must be strong secondary characters. Their actions create dramatic events. Their interactions with the hero add emotional depth to her character, and to the story.

You are the Creator of your Story World and of Every Character’s Purpose. These characters serve your hero’s goals or impede them. You, as Creator, determine the specifics. The scenes, the action, the dialogue. Choose each of these for each character by weighing its potential to intensify story conflict. Because powerful conflict and struggle are the most essential support every successful story requires, and they are absolutely never secondary.

This is How to Write First Class Secondary Characters.

Alice Orr – https://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Email aliceorrbooks@gmail.com. Or add a comment question to this post.

Alice has published 16 novels, 3 novellas, a memoir, many articles and several blogs so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community. Her latest novel – A Time of Fear & Loving – Riverton Road Suspense Series Book 5 – is available HERE.

Praise for A Time of Fear & Loving: “Alice Orr is the queen of ramped-up stakes and page-turning suspense.” “Warning. Don’t read before bed. You won’t want to sleep.” “The tension in this novel is through the roof.” “I never want an Alice Orr book to end.” “The best one yet!”