Tag Archives: Writing Tip

It Takes Two to Tangle Your Story

Storytelling, ,

It Takes Two to Tangle Your Story. This is true in real life and in fiction writing. Here’s the difference. In real life, we try to avoid tangles, difficulties, and conflicts. In fiction writing, the more struggle you conjure up, the stronger your story will be.

Your Main Character – Your Hero – Must Have Someone to Tangle With. This someone may be a pesky sidekick or a possible romantic partner or a probable enemy. Whatever their relationship, this other character exists, mainly, to intensify your hero’s story.

This Character Gives Your Hero Someone to Talk With. Your main character’s internal thoughts move into external dialog. Internal monologue often reads as static and slows the pace of your story. Dialogue looks more active on the page and usually reads as more active also.

This Dialogue Must Be Highly Interesting. You make this dialogue highly interesting by creating complex, fascinating contenders to match your complex, fascinating hero. These more secondary characters possess opinions and attitudes different from those of your main character.

Differences Create Story Conflict. Which varies in intensity depending on the relationship. An enemy may even pose a threat to your hero’s life. By contrast, lovers and sidekicks debate your hero, irritate her, openly conflict with her. The clash is heated, but seldom flares into violence.

The Conflicts Between Mutually Caring Characters are Often Only Variations in Attitude. But they force your hero to articulate her feelings and beliefs. This helps your reader know her better and empathize with her. Empathy is critical to hooking your reader into your story. Reader connects with Hero. Yet again – It Takes Two to Tangle Your Story.

Caring Characters may Differ Intrinsically from Your Hero. The lover or sidekick may have something major to learn in life, an internal struggle that might not be resolved in this story. Unlike your hero who ideally learns and grows in some important aspect of her life.

Contrast these Characters Extrinsically Too. Family and culture, life experience, social and economic status. Differences in circumstance provide potential fireworks in relationships, which may be sexual or not. Fireworks ignite reader interest, which serves your storytelling purpose.

In Fiction Too Much Harmony is Boring. In real life we want everyone to get along. In make-believe, your characters may like, or even love, each other. But if they get along too well for too long, the story drags, falls flat, and you lose reader interest. Make them struggle with each other.

Create Struggle Between Your Caring Characters – But the Struggle Must be Real. Strong stories require powerful drama. You, as author, must know what qualifies as legitimate drama. Character banter, however clever, lacks the power to be strong storytelling on its own.

Real Problems Between Characters Create Real Conflict. The bigger their problem grows, the more intensely the conflict escalates. Plunge your characters into hot water in the form of relationship trouble and turn up the temperature. Trouble is at the heart of strong storytelling.

Give Your Hero Strength to Stand Up for Herself and Others. She refuses to be passive. She acts on what she believes to be right, no matter how much trouble and conflict she may encounter. Consider including a romantic interest to intensify that trouble and conflict. Remember – It Takes Two to Tangle Your Story.

Give Her a Romantic Partner Strong Enough and Good Enough to be Worthy of Her. A relationship of equals has huge potential for dramatic tension. Power, drama, and intensity ignite your story of tangled relationships. Go ahead. Set fire to the page.

Alice Orr – https://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Email aliceorrbooks@gmail.com. Or add a comment question to this post.

Alice has published 16 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community. Her latest novel – A Time of Fear & Loving – Riverton Road Romantic Suspense Series Book 5 – is available HERE.

A Time of Fear & Loving

Praise for A Time of Fear & Loving: “Alice Orr is the queen of ramped-up stakes and page-turning suspense.” “Warning. Don’t read before bed. You won’t want to sleep.” “The tension in this novel is through the roof.” “I never want an Alice Orr book to end.” “The best one yet!”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

 

Strong Relationships Blaze Your Story Pages

Writing Career Tip, ,

Strong Relationships Blaze Your Story Pages. “What is wrong with this relationship?” A central human issue in real life. An equally central issue in writing fiction.

Relationships are the Bottom Line of the Fiction Market. Readers want answers to these life questions. How do you find a relationship? How do you sustain a relationship once it has begun? How do your regain a relationship that seems irretrievably lost? How do you correct the flaws that undermined the relationship in the first place?

These Mysteries Haunt the Heart of Every Relationship Story. Which is why interpersonal entanglements are prime reader interest territory, and not only for women’s fiction. Any story that involves adults interacting has the potential for a relationship entanglement. That conflict – particularly if it is a romantic struggle – increases your story’s sales potential by leaps and bounds in the publishing marketplace.

Your Goals are to be Published – to Attract Readers – to Become a Beloved Author. Dramatic conflict between your characters supercharges your potential to reach each of these goals. Relationship storytelling is a very savvy choice for any career-minded author. Strong Relationships Blaze Your Story Pages.

Women’s Fiction and Book Sales Potential. Approximately eighty to eighty-five percent of U.S. readers. are women. The majority of this female audience reads women’s fiction in some form. Literary stories, mainstream commercial novels, category romance. An immense market where agents, editors and, most crucially, readers search for enthralling author voices.

You and Your Stories Can be Among those Voices. The key to sought-after-author status in women’s fiction is a heartfelt, convincing relationship that comes to fiery life on your pages. Such relationships are the backbone of this flourishing segment of the book market.

Your Story’s Primary Relationships Focus on Your Main Character. But it takes two to tangle. Your protagonist needs characters to relate with, romantically and otherwise. Reader engrossing plots, and subplots, can arise from any troubled relationship. A friendship. A parent and child. Your hero confronting her rival or her captor or her tormentor. Possible combinations of  colliding characters are as varied as your imagination.

Still – the Most Popular Story Relationships are Between Lovers and Potential Lovers. Readers seek roadmaps for navigating this problematic area of human interaction. They are also drawn to the story tension inherent in a tale of two people attempting to love one another in the face of mounting obstacles and formidable odds.

Here Lies Storytelling Paydirt. Your two central characters  collide. They struggle intensely, dramatically, powerfully. They make turbulence of their lives and excite your reader’s interest. They do so most credibly when their struggle reflects the turbulence and excitement of real human experience. Which could be based on your own experience.

Your Personal History is Fertile Research Ground for your Stories. Mine the conflicts and struggles that lie beneath that ground. Disguise them in whatever fictional form you choose, but keep the emotions real and true. Do this, and you will create stories that kindle into life, because Strong Relationships Blaze Your Story Pages.

Alice Orr – https://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Email aliceorrbooks@gmail.com. Or add a comment question to this post.

Alice has published 16 novels, 3 novellas, a memoir, many articles and several blogs so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community. Her latest novel – A Time of Fear & Loving – Riverton Road Suspense Series Book 5 – is available HERE.

A Time of Fear & Loving

Praise for A Time of Fear & Loving: “Alice Orr is the queen of ramped-up stakes and page-turning suspense.” “Warning. Don’t read before bed. You won’t want to sleep.” “The tension in this novel is through the roof.” “I never want an Alice Orr book to end.” “The best one yet!”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

 

Storytelling Mentor on Your Shoulder

Storytelling, ,

Storytelling Mentor on Your Shoulder. Every writer I know has endured rejection. I certainly have. In fact, on the occasion of my first major rejection, the editor implied, or maybe told me straight out, that I had no idea what I was doing.

My first big mistake that day was agreeing to a sushi lunch. I didn’t know sushi from tsunami at the time, but I did know I should appear cooperative. So, I replied, “Sushi’s good.” Had I guessed the true purpose of the lunch, I would have made a different response. Unfortunately, I didn’t have a clue, though I probably should have.

I was writing my second novel for this editor. The first hadn’t set the world on fire.  The second was supposed to correct that, but the revision phase had dragged on so long I’d almost lost track of what my story was originally about. As I took a wobbly chopstick grip on my third portion of something raw and wet wrapped in seaweed, my editor let me know she felt the same.

“This just doesn’t work for us,” the editor said. If you have ever heard or read those words, you know what happened next. I plunged into shock. On the other hand, I was back on track in one respect. I got that the revision phase was finished. Novel number two was off the table, as surely as the sushi had slipped from between my chopsticks and plummeted to my plate.

“You seem to think a bird sits on your shoulder and tells you how to write,” my editor was saying. “Like you don’t have anything to do with it.” I needed to be at the top of my mental game right then, but I was incapable of responding. Instead, I excused myself, dashed to the ladies’ room, and leaned my clammy forehead against the cool black tiles of the marble stall.

A Storytelling Mentor on Your Shoulder?  I had never been aware of anything, with or without feathers, telling me how to write a book. What I had always been aware of was my lack of power. Because of the way the publishing world works, I had no control over the destiny of my writing career. Now, I understood how perilous such a position can be.

If you have ever submitted a manuscript anywhere, you know what I mean. You labor over your work, send it out into what feels like a void. then wait for a thumbs up or down on your efforts, your ambitions, your hope. You endure this because you have no idea what else you can do. You are as clueless as I was in that ladies’ room with my forehead pressed against tile as black as I believed my future to be.

A few years later, I became an editor myself. That choice had a lot to do with power. I was determined to regain mine, and to pass it on. As an editor, then a literary agent and teacher, I would be that bird. I would sit on a writer’s shoulder and whisper in her ear the words she needed to hear to avoid her own demoralizing rejection scenes. I could do that because my years on the other side of the desk taught me a lot about how to create a marketable manuscript.

I have been sharing that knowledge ever since. Still, the dread words are out there. “This just doesn’t work for us.” Words that hit their mark hard for any writer. I wish I could guarantee they will never be heard again, but I can’t. What I can offer is my experience and expertise, and to be a bird with an empowering song you need to hear. A Storytelling Mentor on Your shoulder. Stay tuned to this blog. I have many more melodies to sing.

Meanwhile, ask your crucial questions. How does your attitude need to be adjusted? What fears do you face about your writing career? What do you most eagerly desire to know? Add a question comment to this post, or email me at aliceorrbooks@gmail.com. I will be honored to respond.

Alice Orr – www.aliceorrbooks.com

Alice Orr’s Christmas story A Vacancy at the Inn – Riverton Road Romantic Suspense Series Book 3 – is available on Amazon HERE. Enjoy!

Alice Orr A Vacancy at the Inn

Praise for A Vacancy at the Inn. “Grabbed me right away and swept me up in the lives of Bethany and Luke.” “Undercurrents of suspense move the story along at an irresistible pace.” “The Miller family is rife with personality quirks, an authentic touch that demonstrates Alice Orr’s skill as a writer.”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/