Tag Archives: Writing Career Tip

We Have Everything to Fear from Fear Itself

DO IT ANYWAY from Marie DuessQuestion: What does most damage to a writer’s career?

Answer: The simple answer to that is FEAR.

In my experience the biggest boulder in my writing career path – and probably yours too – has been FEAR. I write the world bold and in solid caps because that’s how it arrives in my psyche. Pulsing as well and emitting a ratchet sound.

What is the most common source of this very unpleasant experience? FEAR that I don’t know what I’m doing. My story isn’t good enough. My writing isn’t good enough. I’m not good enough.

I have plenty of voices among my memory circuits ready and eager to echo the sentiment. “Alice you’re just not good enough!” First soloist in my personal negativity chorus is my mother. You can fill in the blank with yours.

I generally keep on working despite those voices because I love to write. This is your best defense against FEAR in all its forms. Immerse yourself in the work. Get lost in the words and the fun of coming up with them. Pull the wonder of the writing experience over your head like a blanket. Stuff it in your ears. Reduce the negative nigglings in your head and gut by remembering We Write for the Joy of It.

The FEAR of not-good-enough rises to an even more powerful decibel level when it’s time to submit our work to an agent or editor. Or for us Indies – to upload onto Amazon. Each of these is a terrifying leap. We’re delivering our precious creations and our tender psyches to the world. The response could very well be yet another “You’re just not good enough.” In a deafening and debilitating roar this time.

Do It Anyway Sign -- from 1990sThis is what I call a Do It Anyway Situation. I shall illustrate with an anecdote. Way back when there were only hardcopy manuscripts I was building a collection of my own. Partial manuscripts to be exact – every one just short of long enough to constitute a submission which of course I never made.

My collection grew to such volume my husband was forced to build shelves for it across the walls not far from the ceiling on both sides of a long hallway in our apartment. My partials sat there gathering dust and turning yellow until a therapist friend of mine asked a dreadful question.

“What are you planning to do with those?”

She listened almost patiently while I recited my litany. I’d abandoned each project because a better one came to mind. The characters weren’t whomever. The plots weren’t whatever. The market had shifted. The cats ate my mailing labels. In other words I was too frightened to make the leap or – even more scarily – to take the risk of venturing into judgement territory.

After I’d laid my lengthy litany on her my friend said simply this. “You have two choices. Pick the best manuscript and submit it. Or ask Jonathan to build another shelf.”

The image engulfed me. Shelf after shelf of brittle yellow pages from ceiling to floor until the hallway was filled. Then along the walls of every room in turn until we were entombed by my not-good-enough work. The absurdity of that vision – like something in a New Yorker cartoon – triggered the kickstart mechanism in me. I began to submit. I was eventually published. I’ve been published many times since.

Do It Anyway SignOvercoming fear. Relegating it to non-bold lower case. That is a Do It Anyway Situation. Period. End of commentary – almost. If you’d like a Do It Anyway! reminder sign to tape to your computer or staple to your forehead. Email me at aliceorrbooks@gmail.com. I’d love to send you one. Or several if you prefer.

Alice Orr – https://www.aliceorrbooks.com.

RR

A Wrong Way Home – Book 1 of my Riverton Road Romantic Suspense series – is a FREE eBook at Amazon and other online retailers. All of my work – including Books 2 and 3 – are available at my Amazon Author Page http://www.amazon.com/Alice-Orr/e/B000APC22E/

 

How Marketable is Your Manuscript?

Ask Alice image 1Question: I want to be traditionally published. How do I get started?

Answer: Ask yourself this. How marketable is my manuscript?

Is your goal to be published by a traditional print publisher? As opposed to a strictly e-publisher or yourself as independent publisher? If your answer is yes you must FIRST evaluate your manuscript in terms of what the the traditional marketplace demands. This is the savvy way to start. Skip this step and your chances of publication diminish drastically.

At the same time you must also function as best you can on your own behalf – personally as well as professionally. Be aware of the realities of your choice. Do that for the sake of your own psyche. Otherwise you leave yourself vulnerable. To loss of effort. To loss of energy. To loss of hope which can be most psychically disastrous of all.

The first reality to be aware of is this. The publishing market is super cautious right now. Even more skittish than has always been the case. In MOST cases – work that veers very far from customary publishing expectations for your genre and subgenre will have a rough time finding welcome – especially if you are previously unpublished.

I did say “in MOST cases” however. The exception. A manuscript that is a truly extraordinary market-buster blockbuster bestseller masterpiece. Does this describe your work? Eliminate ego. Eliminate parental pride in your creation. Be hard of nose and heart and make a clearheaded answer to that question from an objective place. Not easy to do but imperative.

Submitting your work at this point in time – or any point in time really – is looking for a job in a low-availability environment. Looking for the job of published author. Think in terms of making yourself and your work as attractive as possible within a narrow avenue of possibility. Your quest for attractiveness always begins with the work itself.

You must always submit only your very best work. That is extra valid now. Don’t expect an agent or editor to see through your imperfect manuscript to your possibly more perfect talent beneath. Editors are looking for perfection visible – not perfection possible. Agents are the same because they look for what editors want.

Your first marketplace search is most likely for an agent. Ask yourself “What does this agent prefer to represent? Does my work fit those preferences?” Research those answers online. Go to the agent’s website. Google her name. Look for articles she’s written and statements she’s made. Find out who she represents and what they write. Figure out what all of this tells you.

I’m assigning you a sleuthing exercise. You must Investigate – Investigate – Investigate. You have your own sleuthing tricks. You will come up with new ones along the way. Please share them when you do. Share them everywhere and in every way and with everyone you can. Don’t forget that all boats rise together.

Your next sleuth project. Editors and the publishing houses where they work. Check out publisher websites. Google individual editors. Remember that the reception of an unsolicited – as in not agented – manuscript will usually be less welcome than a solicited – as in submitted by your agent – manuscript.

Some publishers declare they will not consider unsolicited manuscripts at all. My response to that is this. Send it along anyway. What have you got to lose? Except maybe that time and energy and psyche strength I mentioned. So be aware this is a Hail Mary Pass and adjust your expectations accordingly.

In the meantime – through all of the sleuthing and planning – you are making Lists and Lists and more Lists with your manuscript always in mind. Where might my work be most marketable? Who might find it most intriguing? What should I pitch most prominently to each target in order to maximize my chances of luring them into my lair?

Do all of this with high ambition and a courageous heart and you will also maximize the marketability of your manuscript. Next assignment. Always always always – Keep on Writing Whatever May Occur.

Alice Orr – https://www.aliceorrbooks.com.

RR

A Wrong Way Home – Book 1 of my Riverton Road Romantic Suspense series – is a FREE eBook at Amazon and other online retailers. All of my books are available at my Amazon Author Page http://www.amazon.com/Alice-Orr/e/B000APC22E/

 

How Marketable is Your Manuscript & Where? – Orr What? Wednesday

Market imageIs your goal to be published by a traditional print publisher? If your answer is yes, you must evaluate your manuscript in terms of what that marketplace demands. To do otherwise is less savvy than you need to be on your own behalf.

If your goal is commercial print publication you must be aware of the realities of that choice for the sake of your own psyche. Otherwise, you render yourself vulnerable to loss of effort and energy and worst of all hope – which can be disastrous to your psyche.

The first reality you must be aware of is this. The publishing market is super-cautious now. Skittish beyond its customary skittishness. Work that veers very far from customary publishing category expectations will have a rough time finding welcome.

The exception – a manuscript that is a truly extraordinary market-buster blockbuster bestseller masterpiece. Does this describe your work? Eliminate ego. Eliminate parental pride in your creation. Be hard of nose and heart and make a clearheaded judgment from that objective place.

Submitting your work now is looking for a job in a low-availability environment. Looking for the job of published author. Think in terms of making yourself and your work as attractive as possible within that narrow avenue of possibility. This effort begins with the work itself.

You must always submit only your very best work. That is extra valid now. Don’t expect an agent or editor to see through your imperfect manuscript to your perfect talent beneath. Editors are looking for perfection visible. Agents follow suit because they look for what editors want.

Your first marketplace search is most likely for an agent. Ask yourself, “What does this agent prefer to represent? Can I accommodate my work to those preferences?”

Research those preferences. Turn first to the internet. Does the agent have a website? Who does she represent and what do they write? Google the agent for articles written and statements made. What does she tell you there?

This is a sleuthing exercise. You must investigate – investigate – investigate. If you have your own sleuthing tricks or come up with some along the way share them with others. Don’t forget that all boats rise together.

What editors and publishers are looking for is an easier search. Check publisher websites. Google individual editors. Remember that the reception of an unsolicited – unagented – manuscript will be less welcoming than a solicited one via an agent.

Some publishers won’t consider unsoliciteds at all. I say, “Send it along anyway. What’s to lose? Except maybe that time, energy and psyche strength I mentioned?” So be aware that this is a Hail Mary and adjust your expectations accordingly.

Through all of this sleuthing and strategizing and planning – you are making lists with your manuscript always in mind. Where might it be most marketable? Who might find it most intriguing? What should you pitch most prominently to each target in order to maximize your chances of luring them into the lair of your work?

Do all of this with high ambition and a courageous heart and you will also maximize your marketability. And always – keep on writing whatever may occur.

RR

A Wrong Way Home – Riverton Road Romantic Suspense Series Book 1 – the eBook – is FREE at http://www.amazon.com/dp/B00T9RVGGC. It’s also FREE at Barnes & Noble and iTunes and KOBO and other online platforms. A YEAR OF SUMMER SHADOWS – Riverton Road Romantic Suspense Series Book #2 – is $2.99 at http://www.amazon.com/dp/B00ZBOTH5O. These are my 12th and 13th novels. They were written for the non-traditional marketplace which is your other publishing option. Alice Orrwww.aliceorrbooks.com.