Tag Archives: Creating Characters

Daughters and Their Mothers – Riverton Road Monday

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Mother-Daughter Split imageA Year of Summer Shadows is the second story in my current romantic suspense novel series and it is a hotbed of daughter-mother contention. As follows.

I’m Hailey. My mother is Annemarie Lambert and she’s a stranger to me. I was my father’s girl until he died and left me to watch my mother falter and stumble in a daze from one foolish choice to the next.

Too many of those bad choices involved men. A string of them – each more useless than the last. We live in a small town called Riverton. Everybody saw my mother’s behavior and gossiped about her in hushed tones. I heard them anyway and felt ashamed.

She still lives in our old house on Academy Avenue which has deteriorated along with my mother since Dad died. I go there as little as possible and try to live my life in an upstanding and responsible way so I may never be mistaken for Annemarie.

I’m Julia. My mother is Virginia Hargate and I wish I could get free of her. She’s loomed over me for as long as I can remember and dictates every moment of my life according to what she thinks I should be. She even took my best friend Hailey from me when I most needed her.

My father was an important man in Riverton but he was a busy man too and hardly ever anywhere but his office. So I rattled around alone in our huge house on Blakely Street doing my best to keep out of range of the sound of Virginia’s harping voice.

She wants more than anything for me to be a lady the way she sees herself to be. Admired and envied. Perfect in every way. Her desire for that has given me my revenge. I’ve made myself into the opposite of a lady. I’m neither admired nor envied. I am Virginia’s shame.

I am Angela Kalli. I have four sons but no daughter. I made a special room in our house at on Riverton Road – yellow and pale blue and empty except for the occasional guest. I go there when my husband Gus is away and daydream about the little girl who might have grown up here.

These are the daughters and mothers of A Year of Summer Shadows at the beginning of my story. Will they be changed at the end? We will simply have to read and see.

 RR

 A YEAR OF SUMMER SHADOWS – Riverton Road Romantic Suspense Series Book #2 – Mark & Hailey’s Story. Launched with summer on June 22nd at amazon.com/author/aliceorr. This is my 13th novel. I am its mother and it is my daughter. We had a contentious relationship but now we’ve reconciled. Alice Orr – www.aliceorrbooks.com.

 

Plots Thicken in Mom’s Kitchen – Riverton Road Monday

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Bad Mom imageMaybe this is a backhanded way to celebrate post-Mother’s Day. But I can’t help pointing out what great story complications can grow from the seeds of mother-child relationships.

In my workshops on writing mystery and suspense I often mention that there’d be far fewer fictional serial killers if it weren’t for fictional mothers screwing up their sons. Not at all fair to real life mom’s but we’re talking about make believe mom’s.

My favorite example is the super crazy and super delusional villain of Thomas Harris’s The Red Dragon. I don’t believe a writer must provide readers with a reason to like or even sympathize with an evil character. I do believe the writer must give us a way to understand the character.

A brief flashback scene does exactly that in The Red Dragon. A scene in a pantry between then young Francis Dolarhyde and his mother. The details are too gruesome to recount here. I will say that after reading this scene we recognize the genesis of the monster adult Francis to come.

The mothers in my Riverton Road Romantic Suspense Series are nothing like the Red Dragon mom. But they generate story complications anyway. That’s the role of secondary characters. To complicate plot and add more obstacles the main characters must climb over to succeed.

In the first book of my series A Wrong Way Home the heroine Kara’s mother is no longer around. Still she remains a stumbling block from the past that intensifies Kara’s struggle to come to grips with the present.

The hero Matt’s mother Angela is a continuing character. She’s the matriarch of the Kalli family at the center of the series. I want readers to be drawn to her and empathize with her. But if she’s totally likable she won’t work for the story in terms of causing conflict for other characters.

Angela is a strong woman – mostly in ways we admire and her son loves her dearly. On the other hand – in a past incident he knows nothing about – Angela overstepped a boundary she should have respected. Matt and Kara are now paying the price of his mother’s intrusiveness.

BUT – the story is stronger because of it. More conflicted. More complicated. Creating more trouble for the characters we care most about. Thank heaven for conflict/complication/struggle producing mama’s.  (Find A Wrong Way Home at www.amazon.com/author/aliceorr.)

And wait until you see the plot twists two of these mothers come up with in Book 2.

RR

 A YEAR OF SUMMER SHADOWS – Riverton Road Romantic Suspense Series Book #2 – Mark & Hailey’s Story. Launches with summer on June 22nd at amazon.com/author/aliceorr. This is my 13th novel and there are moms thickening the plot for sure. Alice Orr – www.aliceorrbooks.com

 

Nobody Wants a Sagging Middle – Ask Alice Saturday

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Question. How do I keep the middle of my story moving at a fast pace?

Answer. The struggle in your story is the drama of your story. That struggle must begin at Casablanca - middleyour dramatic opening and continue forward without letup. The course of the struggle is the course of your plot. The more intense the struggle – the more intense the plot.

That’s all there is to writing a page turner story. Escalate the power – intensity – drama of your main character’s struggle and you’re in the winner’s circle. Until you get to the middle where you might find a muddle. Because the middle is where the story line is likely to sag.

When your story loses momentum in the middle you must make a crucial assumption. You need to know more about your characters. You need to ask three crucial questions.

  • What hidden relationships could there be between your characters?
  • What further conflict lies beneath the surface of their relationships?
  • What further secrets do they have and why have they kept them from you?

In “Well Begun is Well Done” my blog post about the Dramatic Opening I used the classic film Casablanca as a story example. Let’s continue with that.

At the dramatic opening we found Rick – played by Humphrey Bogart – bitter and disillusioned. But we’re well into the story before we learn the source of his bitterness. Near the opening there were hints at the problems in Rick’s history but we still don’t understand what’s up with him. Then beautiful Ilsa arrives – played by Ingrid Bergman – and Rick reacts.

We would say he overreacts because we still don’t know what’s really going on inside him. Ilsa is with her husband Victor so we don’t get an explanation until she returns later to the closed café where Rick is alone. Now we find out about Paris and the love affair between Rick and Elsa that sent him soaring then smashed him back to earth.

We are hooked as the suspense plot becomes a love story too. We’re hooked in the heart even more deeply than our adrenaline was pumped by the danger. We’re also at the middle of the story and there’s no sagging anywhere. Because we’ve learned more about the characters. Hidden relationships – deep conflicts – secrets that had been kept from us.

Want even more momentum? Make another crucial assumption. The hot water you’ve put your characters in needs to get much hotter. Now you must ask three more crucial questions.

  • What additional misfortunes can happen to your characters?
  • What potent dangers surround your characters?
  • What can happen that will jolt your main character?

Casablanca has the mother lode of misfortune and danger – World War II and Nazis. And a potent villain in German Major Strasser. Nothing accelerates story tension better than a truly evil bad guy. There are high stakes too. Ilsa’s husband Victor must be smuggled to neutral territory or be captured and tortured and his heroic anti-Nazi work will end.

The jolt to main character Rick comes via the Letters of Transit. They are what Alfred Hitchcock called the Macguffin. The thing everybody in the story wants for good or evil reasons depending on who they are. Rick has these letters. They will decide Victor’s fate. They will also decide the fate of Rick and Ilsa’s rekindled passion. Da Da Da Dum!

Drama – high stakes – an uncertain outcome. The middle of Casablanca provides all of this and more. Make your story middle do the same by digging beneath the surface of your characters as you see them now. Excavate your own mother lode. When you find it all sign of sag will disappear and never return. Plus – you’ll always have Paris.

 RR

 My latest story is A WRONG WAY HOME – Riverton Road Romantic Suspense Series – Book #1 – Matt & Kara’s Story. Available at amazon.com/author/aliceorr. This is my 12th novel and the middle doesn’t sag. The same is true of A Year of Summer Shadow launching May 15th.

 Alice Orr – www.aliceorrbooks.com